Nasir Kazmi Biography In Urdu Pdf Shakhsiyat Aur Fun Book written by Nahid Qasmi free download or read online from this Urdu Library blog. Nasir Kazmi (Born: 8 / December 1925, Anbala, Haryana - Died: 2 / March 1972, Lahore) Is one of the most important poets of modernity who narrated the story of pain in simple and smooth words and style.
In his words, there is a slight burning flame of sorrow with the same subdued state which is characteristic of Mir. But they do not imitate Nasir Mir but only look impressed. All the sorrows that Nasir has described are the sorrows of our modern age. Naheed Qasmi, daughter of eminent writer and poet Ahmad Nadeem Qasmi,
wrote her MA Urdu dissertation on the personality and art of Nasir Kazmi in the seventies of the twentieth century, which is in a sense the first book written on Nasir Kazmi. In which the life and poetry of Nasser have been analyzed in detail. The book also features a commentary on Nasir Kazmi's poetry and prose, which can be said to be the "starting letter" against articles and books written on the subject.
This important and interesting book "Nasir Kazmi: Personality and Art" on the 96th Birthday of Nasir Kazmi is presented to the readers who are interested in Nasir Kazmi's poetry through Taamir News. The size of this PDF file of about two hundred and fifty pages is 9 megabytes. The download link to the book is given below. Book Name: Nasir Kazmi: Personality and Art Author: Naheed Qasmi. Publisher: Fazal Haq & Sons Publishers, Lahore. Publication year: 1990 Number of pages: 240 PDF file size: about 9 megabytes.
The ghazals in Nasir Kazmi's second collection "Dewan" are different in that they show maturity instead of romance. Not only that, there was a turning point in Nasir Kazmi's poetry when Come to think of it, his collection of poems, "The Dream of Dreams," is a different story.
Ahmed Sahib, referring to Nasir Kazmi's poetry, says that Nasir Kazmi's poetry is a reflection of traditional stories or fiction. These experiences point to his childhood experiences and the regional culture in which the Ajami and Hindi temperaments merged. Talking about the union of these two different civilizations, Ahmad Sahib has pointed out the deep interest in Kazmi's Doha, Bhajan, traditional stories, and the poet Kabir and Meera Bai. Here he refers he alludes to Nasir Kazmi's precise dramatization of "Shadow of the Headers to Nasir Kazmi's systematic drama "Shadow of the Head". In this drama, Nasir Kazmi's understanding of Hindi is seen.
Another critic (Sajid Ali) has also criticized the play. Other critics seem unaware of Kazmi's attempts to write a play. Throughout the collection, Sohail Ahmed and Shamim have shed light on the fact that just as Ghalib called ghazal a narrow alley, Nasir Kazmi gave ghazal a wide field to express his poetic tone. All the other critics were trying to prove that Nasir Kazmi was a common ghazal singer.
Only Shamim Hanafi has considered all his writings. He paid attention to all the poems in Nasir Kazmi's collection of poems "Nishat-e-Khawab", especially his longest poem which also has the title of the collection. According to Hanafi, this is his masterpiece of poetry. According to Hanafi, the poem brings to life the cultural atmosphere that had been blurred by circumstances, in such a way that the two aesthetic traditions merge. Has spoken to According to him, this collection of ghazals is the most unique and unique work in Urdu tradition.
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