Fasana E Ajaib In Urdu Pdf Free Download

Fasana E Ajaib In Urdu Pdf free download book by Rajab Ali Beg Suroor read online from this blog. Mirza Rajab Ali Baig Sarwar's book "Fasana Ajaib" is a famous book of short stories. This story has been seen as a representative work of Dabbistan Lucknow. Has an extraordinary influence on the literature, this book has the spirit of its era He had formally declared war when the simple and easy-to-understand style of garden and spring began to be objected to in those days, he compared it to "fictional wonders" by writing difficult and expensive texts. 

Garden and Spring. And received a lot of praise during that time. According to Shamsuddin Ahmed, "Fasana Ajaib used to be read from house to house in Lucknow. It is a literary masterpiece and a masterpiece of ancient style. The text is concise and eloquent, and the style of expression is colorful and charming. Literary minimalism, artistic decoration, and depth of knowledge have been given a good place. This version has been compiled by Syed Sulaiman Hussain which includes in addition to the case, footnotes and comments, relics and places, a dictionary, and a list of sources.

Fiction needs no introduction. In short, it is a masterpiece of prose in Urdu literature and a representative story of Dabbistan-e-Lucknow. Fictional wonders are considered an important point in the traditional battles of Delhi and Lucknow. In the preface of this book, Sarwar challenged Dehlavi Dabbistan for the first time and then the storytelling competition started. All the stories of this competition will be transferred to Unicode, God willing. At the beginning of the book, there is also a detailed case study on the myth of miracles and their merits and demerits. Also, the draft has been proofread five times to minimize the possibility of errors. The second part of Fasana-e-Ajaib, written by Rajab Ali Baig Sarwar, is also available at Urdu Gah for lovers of literature.

Sana Ajaib, authored by Mirza Rajab Ali Baig Sarwar, is a very popular book in the Urdu language. Although this book is a perfect example of a style of writing that is based solely on origin and fabrication and has no particular interest in the subject matter, it is still very popular today despite all the seemingly flawed things. Yes, this book cannot be ignored. The fact is that the things that seem to the general public to be flawed are not flawed in the eyes of the critics, but each of them has a historical feature.

The real significance of the myth of fiction is known in the context of the history of the Urdu language. The language has taken various stages to reach its present state, and each of them has permanent status in its place and is of great interest to those who study the evolution of language. Every age whose language can be distinguished from the language of the previous age is called a link of evolution and the sum of all these links is called history. If a single link is lost or the whole situation is not known then history will be incomplete. Thus, in the age of gradual development of Urdu, there was a time when Persian was very popular and scholars considered writing and composing in Urdu a pleasure themselves.

 Finally, when there was a tendency towards Urdu, he considered prose and other types of prose, which did not include prose, as a means of expression. Gradually, this style of writing, despite being very limited and artificial, became not only popular but also popular. Sarwar was one of the best writers of prose and he is considered to be the master of fiction. Historically, this book is highly esteemed, but it should not be taken to mean that this is the only reason for its honor. The fact is that the book is a collection of literary merits, all of which require permanent authorship to show in detail.

Sarwar's father's name was Mirza Asghar Ali Baig and he was a member of a very respectable family. The year of birth of the server is considered to be 1201 AH or 1202 AH. The decision of most people is that Sarwar was a resident of Lucknow but the incident is against it. There is evidence in Sarwar's writings that he was not a resident of Lucknow, so it is clear that his native place as Akbarabad. Since this place is not suitable for this discussion, it is concluded by simply stating that the server's hometown was Agra.

Sarwar had a perfect device in Persian and Arabic and his taste was trained in the colorful and literary atmosphere of Lucknow. Like poetry, Sarwar excelled in calligraphy, and in this art he was a disciple of Muhammad Ibrahim who is mentioned with great respect in Fasana Ajaib. In addition, Sarwar excelled in both the science and art of music, but he did not leave any writing on this knowledge. In the art of poetry, Sarwar, Agha Nawaz Hussain alias Mirza Khani alias Nawazish was a student who is mentioned with great respect in Fasana Ajaib.

Sarwar is considered to be one of the most highly regarded masters among the ancient prose writers of Lucknow and was a great expert in prose. It is probably not an exaggeration to say that no other narrator of this style can be presented as having a peer-to-peer claim to the server. As a human being, Sarwar was a very cheerful, playful, and friendly man. He was also a good talker and handsome. People were attracted to him because of these qualities. He had a special relationship with Sharafuddin Meeruthi and Ghalib. Ghalib has also written a commentary on Gulzar Sarwar and has mentioned Sarwar as the best prose writer of his time in his mention of Fasana Ajaib.


فسانہء عجائب از مرزا رجب علی بیگ

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